=== Page 555 - Chinese ===
缉融泪
可
第三课 成型工艺部分及测绘 1981.12.16
目前,我们正在制作生产“上双线竹鼓”,今天根据目前生产上的需要
谈一谈“上双线竹鼓”的工艺工序及注意事项 :
以前全手工操作 :
先打底满片, 打好底满片以后就随手虚底满, 然后再打泥条及其他作料 ,
全手工生产的大只、线片、盖片是用同一部矩车 ,而最后的实际闵才就不是
一样大小 。 这就取决于掌握片子的硬烂,一般大只是一打好片子就旋 ,而线
片是等片子燥一燥旋 ,盖片是要比线片再硬一点旋 ,这样一部窍车就能取得
恰到好处的三种效果 。上假底、大只,应该先上假底再上大只,先清假底 ,
后清大只 。大只一定要勒 ,绝不能用明针包一包就算 。 上线片要把大只营挑
掉 ,上好线片,要及时清线,不要今日上线片,明日再清线 。清好线后要有
一个专用勒只,,勒和线梗的痕迹,清好线后随即可以开假底线片,图滋泥 。
小型茶壶要敢于 、善于做开口生活 (行话 ,即作品 ),, 一来利于掌握收
缩,盖头配得准 ,二则路装得正,洞眼对得准 。上满片的滋泥不能太薄大
少, 宁可多一点,在开口时把多余的钙掉,茶壶镍口不要向里斜 ,如果太
和斜,下部就会太薄 ,里口下部最好做一把专用刀具 ( 可以利用废旧的鱼鳞刀
改制 ),这样做出来的口又齐又和, 装嘴反时要切记泥条接头部位装攀,对
面装嘴 ,“上双线竹鼓”要贴竹叶 ,要有专用的贴竹叶尖刀 ,搓梳梗时 ,泥
使、手掌 、手指要潮润,搓出来的料要正好,在操作过程中一定要掌握好硬
烂, 生活不可太硬,,硬了容易出毛病, 生活要养成一芋归一茜的习惯,千万
不要上靖牵下才,切鼠割不断的缆,清泥生活完工后,一脱手要校坏,校坏
# Yixing Pottery
## Lesson Three: Forming Techniques and Measurement (December 16, 1981)
Currently, we are producing the "Double-Line Bamboo Drum" teapot. Today, based on current production needs, I will discuss the technical procedures and precautions for making the "Double-Line Bamboo Drum":
**Traditional fully handmade process:**
First, beat out the bottom slab. After completing the bottom slab, immediately attach it loosely to the base, then beat out the clay coils and other components. In fully handmade production, the body, rim ring, and lid are all thrown on the same wheel, yet the final actual dimensions are not identical. This depends on mastering the clay's firmness—generally, the body is thrown immediately after beating the slab, the rim ring is thrown after letting the slab dry somewhat, and the lid is thrown when even firmer than the rim ring. This way, one wheel can achieve three perfectly calibrated results. When attaching the false bottom and body, the false bottom should be attached first, then the body. Clean the false bottom first, then clean the body. The body must be compressed with the *le* tool[1]—simply smoothing with a rib is absolutely insufficient. When attaching the rim ring, remove the clay slip from the body. After attaching the rim ring, clean it promptly—don't attach the rim ring today and clean it tomorrow. After cleaning the rim, use a specialized *le* tool to smooth away traces of the *le* tool and rim marks. Immediately after cleaning the rim, you can cut open the false bottom of the rim ring and apply slip.
For small teapots, one must dare to and be skilled at working with the piece open (trade terminology, meaning the work-in-progress). First, this facilitates controlling shrinkage and achieving precise lid fit; second, it allows the spout to be attached straight and the holes to align accurately. The slip applied to the rim cannot be too thin or too little—better to have a bit extra and trim the excess when opening. The teapot's mouth opening should not slant inward; if it's too slanted, the lower section will be too thin. For the lower interior of the mouth, it's best to make a specialized cutting tool (废旧的鱼鳞刀 can be repurposed and modified). This produces a mouth that is both even and harmonious. When attaching the spout, remember to position the handle at the clay coil's seam, with the spout opposite. The "Double-Line Bamboo Drum" requires bamboo leaf appliqué—you need a specialized pointed knife for applying bamboo leaves. When rolling the handle, the clay, palm, and fingers should be moist, and the rolled component should be just right. Throughout the process, you must master the proper firmness—the work cannot be too hard, as hardness easily causes problems. Develop the habit of completing each piece in one session. Never leave work half-finished, dragging on endlessly. After completing the clay work, immediately check the piece upon release, checking for defects.
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[1] *Le* (勒): A specialized compression tool used in Yixing pottery making