半圆壶

ID 神 “撕盖半圆索”紫泥色壶身呈半圆形 。装饰硫口线, 既方便盖子的扣合 ， 又增加了造型的质秀感，一弯流肯出有势 ，反挺括有度 ，的子椭圆， 呼应该 器圆润流畅的艺术风格 。 该索为顾景舟与凌虚 '、崔护 "以艺交友的佳作 , 正面刻"和汰舌喷香 景洲 先生清玩 崔护”, 反面绘有凌虚的“鱼乐图”， 画面中大小三条鱼在荷塘中 自由自在地漫游穿梭,姿态轻巧灵动 ， 给人以自得其乐之感 。 能盖半圆志正面图 凌虚 (1919.7一“) 别名万项、瑞浪野上各， 浙江湖州人。 擅长中国画 、民间木版年画。1941 年毕业于上海新华艺专国画系 .和曾任上海艺专、行知艺校、 安徽师范大学艺术系教师 ,苏州 桃花场木刻年画社创作干部 . 代表作有《百鱼图卷 》《姑苏城外寒山才》 等 江苏省苏州市人 ，1924 年出生于太仓,退休前任苏州工艺美术研究所设计室主任 ,高 :美术师，中国书法家协会会员等 。 早年爱好书画 ,为吴湖帆私淑弟子 。 书法以赵估疤 金书体见长, 清新售逸，道秀婉约 。 岗和4人

# "Half-Circle Teapot with Ribbed Lid" Purple Clay Teapot The body of the purple clay teapot is semi-circular in form. It features decorative ribbed lines around the rim, which not only facilitate the fitting of the lid but also enhance the refined elegance of the overall form. The curved spout extends with momentum, its reverse curve measured and controlled. The handle is elliptical, echoing the rounded and flowing artistic style of the vessel. This teapot represents an excellent work created through the artistic friendship between Gu Jingzhou and Ling Xu[1] and Cui Hu[2]. The front is inscribed with "Harmonious tea fragrance overflows, for Mr. Jingzhou's refined enjoyment, Cui Hu." The reverse features Ling Xu's "Fish at Play," depicting three fish of varying sizes swimming freely through a lotus pond, their postures light and nimble, conveying a sense of carefree contentment. ## Artist Biographies **Ling Xu** (July 1919–)[1]: Also known as Wan Xiang and Ruilang Yezhang, native of Huzhou, Zhejiang. Specialized in Chinese painting and folk woodblock New Year prints. Graduated from the Chinese Painting Department of Shanghai Xinhua Art Academy in 1941. Served as instructor at Shanghai Art Academy, Xingzhi Art School, and the Art Department of Anhui Normal University, as well as creative staff member at the Suzhou Taohuawu Woodblock New Year Print Society. Representative works include *One Hundred Fish Scroll* and *Cold Mountain Temple Outside Gusu City*. **Cui Hu**[2]: Native of Suzhou, Jiangsu Province, born in Taicang in 1924. Prior to retirement, served as Director of the Design Office at the Suzhou Arts and Crafts Research Institute, Senior Arts and Crafts Master, and member of the Chinese Calligraphers Association. Developed an early love for calligraphy and painting, becoming a private student of Wu Hufan. His calligraphy excels in the Zhao Mengfu style of running script, characterized by fresh elegance and graceful refinement. --- [1] Ling Xu (1919.7–) [2] Cui Hu (1924–)