扁笠壶

从 20 世纪 50 年代起 ，顾景舟曾与多位美院教授结为挚交 ，切磋交流 ， 探讨美学中点线面的立体构成,将多种形式的变化移植于紫砂壶艺 ，从作品 的细部处理中寻找美学理论和实践法则 。“遍等壶”就是他们合作的产物 。 等索”身简似两个对扣的扇笠,腰部极富张力 。盖面边线外挺内收， 坡延至钮 ，呈等式隆起. 肩、盖、钮的斜度相同，观之窍然自在 。一弯嘴与 三角形把互相呼应 ，自然舒展 -“局等索”的通体线条流畅潇洒 ,造型拙朴 端庄，沉稳而内敛,， 极具现代陶艺设计理念 “遍竺过”造型由中央工艺美术学院于耀忠教授设计 ,作品照片刊登于 1960 年第 3 期《装饰》杂志 。

# Yixing Pottery and Gu Jingzhou's Collaborative Works From the 1950s onward, Gu Jingzhou formed close friendships with several professors from art academies, engaging in mutual exchange and discussion. Together they explored the three-dimensional composition of points, lines, and planes in aesthetics, transplanting various formal transformations into the art of Yixing teapot making, seeking aesthetic theories and practical principles through the detailed treatment of their works. The "Bian Deng Hu" (Flat Lamp Teapot) was a product of their collaboration. The body of the "Deng Hu" resembles two inverted bamboo hats placed rim to rim, with the waist section possessing remarkable tension. The rim line of the lid extends outward while drawing inward, sloping toward the knob and rising in a lamp-like form. The shoulder, lid, and knob share the same angle of inclination, creating a sense of natural ease when viewed. The curved spout and triangular handle echo one another, extending naturally and gracefully. The overall lines of the "Bian Deng Hu" flow smoothly and elegantly, with a form that is simple yet dignified, stable yet restrained, embodying the design concepts of modern ceramic art to an exceptional degree. The form of the "Bian Deng Hu" was designed by Professor Yu Yaozhong of the Central Academy of Arts and Crafts, and photographs of the work were published in the third issue of *Decoration* magazine in 1960.