Chapter 3
达变
Adaptation
123
of 659

English Translation
Gu Jingzhou devoted tremendous effort to the development of Yixing purple clay pottery after the founding of the People's Republic of China. He deeply cared about the development of the purple clay factory and the prosperity of Yixing's purple clay industry. In the late 1970s, when attending the China Import and Export Commodities Fair in Guangzhou, Gu Jingzhou met with Liu Peijin, the general manager of the China Arts and Crafts Import and Export Corporation, and straightforwardly proposed: "You must find ways to sell the products manufactured by our purple clay factory, and sell them at good prices."
Thereafter, the China Arts and Crafts Import and Export Corporation quickly selected several merchants in Hong Kong. Through annual exhibitions, supplemented by books, newspapers, magazines, television, and other media, they used Hong Kong as a frontline base to promote Yixing purple clay pottery to the world. The books we see today, such as *Sand Collection*, *Pottery Catalog*, and *Brocade Collection*, were promotional albums from these activities. Gu Jingzhou personally wrote articles and participated in editorial guidance. Gu Jingzhou's enthusiastic participation enabled Yixing purple clay pottery to catch the wave of reform and opening up, expanding rapidly and extensively outward.
Gu Jingzhou visited Hong Kong, an important transit hub for purple clay trade, three times. The first visit was in 1981, when he went to Hong Kong with Gao Haigeng, Xu Xiutang, and Song Bokui from the Nanjing Museum to participate in the Sixth Asian Arts Festival. The second visit was in 1985, when he participated with Wang Yinxian and others in the Jinfeng Company's purple clay masterpiece exhibition. During the exhibition...
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[1] Wuxi Radio and Television Station: *Purple Clay Master Gu Jingzhou* (CD), 2010
Chapter 3
达变
Adaptation
Pages 32-133
View Chapter →
English Translation
Gu Jingzhou devoted tremendous effort to the development of Yixing purple clay pottery after the founding of the People's Republic of China. He deeply cared about the development of the purple clay factory and the prosperity of Yixing's purple clay industry. In the late 1970s, when attending the China Import and Export Commodities Fair in Guangzhou, Gu Jingzhou met with Liu Peijin, the general manager of the China Arts and Crafts Import and Export Corporation, and straightforwardly proposed: "You must find ways to sell the products manufactured by our purple clay factory, and sell them at good prices."
Thereafter, the China Arts and Crafts Import and Export Corporation quickly selected several merchants in Hong Kong. Through annual exhibitions, supplemented by books, newspapers, magazines, television, and other media, they used Hong Kong as a frontline base to promote Yixing purple clay pottery to the world. The books we see today, such as *Sand Collection*, *Pottery Catalog*, and *Brocade Collection*, were promotional albums from these activities. Gu Jingzhou personally wrote articles and participated in editorial guidance. Gu Jingzhou's enthusiastic participation enabled Yixing purple clay pottery to catch the wave of reform and opening up, expanding rapidly and extensively outward.
Gu Jingzhou visited Hong Kong, an important transit hub for purple clay trade, three times. The first visit was in 1981, when he went to Hong Kong with Gao Haigeng, Xu Xiutang, and Song Bokui from the Nanjing Museum to participate in the Sixth Asian Arts Festival. The second visit was in 1985, when he participated with Wang Yinxian and others in the Jinfeng Company's purple clay masterpiece exhibition. During the exhibition...
---
[1] Wuxi Radio and Television Station: *Purple Clay Master Gu Jingzhou* (CD), 2010
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659