Chapter 6
驾简
Mastering Simplicity
416
of 659

English Translation
(1980–1996)
Among these works, the "Bamboo Shoot-Shaped Water Vessel" and "Dragon Handle Phoenix Spout Teapot" were created by Gu Jingzhou in the late 1930s at the request of Shanghai antique dealers, imitating the works of Chen Mingyuan. The "Bamboo Shoot-Shaped Water Vessel" has a delicate body texture, shaped like a horizontal bamboo shoot with a plump form. Six bamboo shoot sheaths wrap tightly together, with fine veins clearly and naturally rendered. The root section is depicted with remarkable lifelikeness, insect damage marks appear naturally, and the spout function is also reasonable—truly a work of extraordinary craftsmanship. The "Dragon Handle Phoenix Spout Teapot" features a spout shaped like a phoenix head, a handle formed as a beast ring, and both sides of the pot belly shaped like wings, presenting a dignified and upright appearance. These two works are now housed separately in the Nanjing Museum and the Palace Museum.
## Exquisite Carving, Unity of Form and Content
Zisha pottery carving is a decorative technique that engraves text or images on the surface of Yixing pottery vessels. Although carved decoration has frequently appeared on ceramics throughout history since the Neolithic period, it has flourished with particular brilliance on Yixing Zisha pottery.
Early Zisha pottery carving primarily consisted of incised text, mainly used to record essential information such as the maker's name and date. These signature-style carved marks by the maker were typically inscribed on the reverse handle or bottom of the vessel, such as the Ming dynasty "Ruyi Pattern Lid Da Bin Teapot" (with "Da Bin" carved on the reverse handle) and the "Archaistic Fan-Shaped Tripod Teapot" (with characters carved on the bottom).
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[1] Gu Jingzhou, *Appreciation of Yixing Zisha Pottery*, Hong Kong: Joint Publishing (H.K.) Co., Ltd., January 1992 edition, p. 42.
Chapter 6
驾简
Mastering Simplicity
Pages 406-427
View Chapter →
English Translation
(1980–1996)
Among these works, the "Bamboo Shoot-Shaped Water Vessel" and "Dragon Handle Phoenix Spout Teapot" were created by Gu Jingzhou in the late 1930s at the request of Shanghai antique dealers, imitating the works of Chen Mingyuan. The "Bamboo Shoot-Shaped Water Vessel" has a delicate body texture, shaped like a horizontal bamboo shoot with a plump form. Six bamboo shoot sheaths wrap tightly together, with fine veins clearly and naturally rendered. The root section is depicted with remarkable lifelikeness, insect damage marks appear naturally, and the spout function is also reasonable—truly a work of extraordinary craftsmanship. The "Dragon Handle Phoenix Spout Teapot" features a spout shaped like a phoenix head, a handle formed as a beast ring, and both sides of the pot belly shaped like wings, presenting a dignified and upright appearance. These two works are now housed separately in the Nanjing Museum and the Palace Museum.
## Exquisite Carving, Unity of Form and Content
Zisha pottery carving is a decorative technique that engraves text or images on the surface of Yixing pottery vessels. Although carved decoration has frequently appeared on ceramics throughout history since the Neolithic period, it has flourished with particular brilliance on Yixing Zisha pottery.
Early Zisha pottery carving primarily consisted of incised text, mainly used to record essential information such as the maker's name and date. These signature-style carved marks by the maker were typically inscribed on the reverse handle or bottom of the vessel, such as the Ming dynasty "Ruyi Pattern Lid Da Bin Teapot" (with "Da Bin" carved on the reverse handle) and the "Archaistic Fan-Shaped Tripod Teapot" (with characters carved on the bottom).
---
[1] Gu Jingzhou, *Appreciation of Yixing Zisha Pottery*, Hong Kong: Joint Publishing (H.K.) Co., Ltd., January 1992 edition, p. 42.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659