Chapter 5
独妙
Unique Excellence
246
of 659

English Translation
## Well Curb
A well curb is the protective railing above a water well. The *Shili* states: "Using wood as a frame, surrounding the well, to prevent people from falling in. Its function is the same as a wall, but its material is wood rather than earth."[1] The well curb is closely connected to people's daily lives and serves as one of the sources of inspiration for Yixing pottery art. During the Qing period, Chen Mansheng, drawing creative inspiration from the local scenery and products of Liyang where he lived, collaborated with Yang Pengnian to create the "Well Curb Teapot."
Gu Jingzhou created three variations: the "Hexagonal Well Curb Water Level Teapot," the "Tall Well Curb Teapot," and the "Cast Well Curb Teapot."
The "Hexagonal Well Curb Water Level Teapot" was created in the 1960s. The pot is made from pure purple clay, with a warm and elegantly aged color. Taking the form of a hexagonal well curb, it presents a sloping shape that is larger at the bottom and smaller at the top, with a height of only 54 millimeters. The pot body is powerful and vigorous, with clear and orderly lines, naturally transitioning curved surfaces, and a delicate, exquisite small form. The flat lid integrates seamlessly with the pot body, fitting tightly and rotating smoothly without obstruction. The knob takes the form of a rope body, creating unity and harmony. The square spout converges upward, and the upper portion of the square angled handle is treated with a turning transition. This pot is small and exquisite, an excellent piece for appreciation and enjoyment.
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[1] Ding Fubao, ed., *Shuowen Jiezi Gulin (Volume 6)* (Beijing: Zhonghua Book Company, 1988), p. 2348.
Chapter 5
独妙
Unique Excellence
Pages 142-405
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English Translation
## Well Curb
A well curb is the protective railing above a water well. The *Shili* states: "Using wood as a frame, surrounding the well, to prevent people from falling in. Its function is the same as a wall, but its material is wood rather than earth."[1] The well curb is closely connected to people's daily lives and serves as one of the sources of inspiration for Yixing pottery art. During the Qing period, Chen Mansheng, drawing creative inspiration from the local scenery and products of Liyang where he lived, collaborated with Yang Pengnian to create the "Well Curb Teapot."
Gu Jingzhou created three variations: the "Hexagonal Well Curb Water Level Teapot," the "Tall Well Curb Teapot," and the "Cast Well Curb Teapot."
The "Hexagonal Well Curb Water Level Teapot" was created in the 1960s. The pot is made from pure purple clay, with a warm and elegantly aged color. Taking the form of a hexagonal well curb, it presents a sloping shape that is larger at the bottom and smaller at the top, with a height of only 54 millimeters. The pot body is powerful and vigorous, with clear and orderly lines, naturally transitioning curved surfaces, and a delicate, exquisite small form. The flat lid integrates seamlessly with the pot body, fitting tightly and rotating smoothly without obstruction. The knob takes the form of a rope body, creating unity and harmony. The square spout converges upward, and the upper portion of the square angled handle is treated with a turning transition. This pot is small and exquisite, an excellent piece for appreciation and enjoyment.
---
[1] Ding Fubao, ed., *Shuowen Jiezi Gulin (Volume 6)* (Beijing: Zhonghua Book Company, 1988), p. 2348.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659