Chapter 5
独妙
Unique Excellence
248
of 659

English Translation
The "Tall Well Curb Teapot" was created in the 1970s and 1980s. With its columnar body, slightly tapered at top and bottom, the overall form is dignified and upright, its lines rounded and powerful, simple and bright. The flat shoulder and body lid fit together smoothly, with a decorative layer of overlapping discs added to the lid—viewed from above, they resemble rippling water rings in a well. The tall columnar knob is slightly wider at the top for easy handling, its form like a water droplet, harmonizing with the water ripple pattern on the pot's surface. The design is lively and rich with enduring meaning.
In 1980, Gu Jingzhou presented Tang Yun with a "Tall Well Curb Teapot," its form grand and composed. Inscribed on the back of the pot body: "On September 17, 1980, I visited my old friend Jingzhou in Yixing and present this as a memento, Lao Yao"—the calligraphy ancient and vigorous. On the front is painted a bamboo composition, with bamboo leaves swaying gracefully in the wind, elegant and spirited, extremely rare.
> Tang Yun's calligraphy and painting / Gu Jingzhou's craftsmanship on the Tall Well Curb Teapot
Chapter 5
独妙
Unique Excellence
Pages 142-405
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English Translation
The "Tall Well Curb Teapot" was created in the 1970s and 1980s. With its columnar body, slightly tapered at top and bottom, the overall form is dignified and upright, its lines rounded and powerful, simple and bright. The flat shoulder and body lid fit together smoothly, with a decorative layer of overlapping discs added to the lid—viewed from above, they resemble rippling water rings in a well. The tall columnar knob is slightly wider at the top for easy handling, its form like a water droplet, harmonizing with the water ripple pattern on the pot's surface. The design is lively and rich with enduring meaning.
In 1980, Gu Jingzhou presented Tang Yun with a "Tall Well Curb Teapot," its form grand and composed. Inscribed on the back of the pot body: "On September 17, 1980, I visited my old friend Jingzhou in Yixing and present this as a memento, Lao Yao"—the calligraphy ancient and vigorous. On the front is painted a bamboo composition, with bamboo leaves swaying gracefully in the wind, elegant and spirited, extremely rare.
> Tang Yun's calligraphy and painting / Gu Jingzhou's craftsmanship on the Tall Well Curb Teapot
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659