Chapter 5
独妙
Unique Excellence
296
of 659

English Translation
In 1980, the Shanghai Science and Education Film Studio came to Yixing to film the educational documentary *Purple Clay Pottery*. Gu Jingzhou served as artistic consultant and director, personally designing the teapot style for the production. The teapot was made by Ge Taozhong and carved by Tan Zhuhaijiu—a masterpiece of collaboration among several artisans.
The design inspiration for this teapot came from the Qing Dynasty painter and writer Zheng Banqiao. Zheng Banqiao, courtesy name Kerou, art name Banqiao, was from Xinghua, Jiangsu. He was skilled in poetry, ci poetry, calligraphy, and painting, and was one of the "Eight Eccentrics of Yangzhou." He excelled at painting orchids, bamboo, and rocks. His self-created "six-and-a-half script" combined regular script and clerical script into one style, presenting a "scattered stones paving the road" aesthetic that won widespread admiration.
*An Illustrated Study of Yangxian Purple Clay Teapots* records:
> Banqiao, a jinshi degree holder during the Qianlong reign, served as magistrate of Weifang and Xi'an counties. He governed with benevolent policies and was known for his unrestrained character. His poetry resembled that of Bai Juyi and Lu You. He authored *The Complete Works of Banqiao*. His calligraphy combined clerical, running, and regular scripts into a distinctive style. However, few knew of his teapot designs. Li Xiaopo possessed a Banqiao teapot made of white clay with coarse sand, featuring a large handle and short spout in an elegantly archaic style. Inscribed on the body was a poem in six lines of running script with a round seal reading "Zheng": "Pointed spout, large belly, handle set high / Just freed from hunger and cold, already so proud / Small capacity cannot hold great things / Two or three ladles of water stir up crashing waves." Signed "Banqiao Daoren." Banqiao delighted in humor, and this teapot inscription also satirized the world with wit. This vessel from a renowned master is uniquely charming and exceptionally precious.[1]
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[1] Li Jingkang and Zhang Hong (Republican era), *An Illustrated Study of Yangxian Purple Clay Teapots*, included in Xu Xiuling, ed., *Modern Translations of Historical Purple Clay Texts* (Beijing: Beijing Publishing House, January 2011), p. 258.
Chapter 5
独妙
Unique Excellence
Pages 142-405
View Chapter →
English Translation
In 1980, the Shanghai Science and Education Film Studio came to Yixing to film the educational documentary *Purple Clay Pottery*. Gu Jingzhou served as artistic consultant and director, personally designing the teapot style for the production. The teapot was made by Ge Taozhong and carved by Tan Zhuhaijiu—a masterpiece of collaboration among several artisans.
The design inspiration for this teapot came from the Qing Dynasty painter and writer Zheng Banqiao. Zheng Banqiao, courtesy name Kerou, art name Banqiao, was from Xinghua, Jiangsu. He was skilled in poetry, ci poetry, calligraphy, and painting, and was one of the "Eight Eccentrics of Yangzhou." He excelled at painting orchids, bamboo, and rocks. His self-created "six-and-a-half script" combined regular script and clerical script into one style, presenting a "scattered stones paving the road" aesthetic that won widespread admiration.
*An Illustrated Study of Yangxian Purple Clay Teapots* records:
> Banqiao, a jinshi degree holder during the Qianlong reign, served as magistrate of Weifang and Xi'an counties. He governed with benevolent policies and was known for his unrestrained character. His poetry resembled that of Bai Juyi and Lu You. He authored *The Complete Works of Banqiao*. His calligraphy combined clerical, running, and regular scripts into a distinctive style. However, few knew of his teapot designs. Li Xiaopo possessed a Banqiao teapot made of white clay with coarse sand, featuring a large handle and short spout in an elegantly archaic style. Inscribed on the body was a poem in six lines of running script with a round seal reading "Zheng": "Pointed spout, large belly, handle set high / Just freed from hunger and cold, already so proud / Small capacity cannot hold great things / Two or three ladles of water stir up crashing waves." Signed "Banqiao Daoren." Banqiao delighted in humor, and this teapot inscription also satirized the world with wit. This vessel from a renowned master is uniquely charming and exceptionally precious.[1]
---
[1] Li Jingkang and Zhang Hong (Republican era), *An Illustrated Study of Yangxian Purple Clay Teapots*, included in Xu Xiuling, ed., *Modern Translations of Historical Purple Clay Texts* (Beijing: Beijing Publishing House, January 2011), p. 258.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659