Chapter 5
独妙
Unique Excellence
304
of 659

English Translation
Legend has it that the "Gongchun teapot" was created by Gongchun during the Zhengde period of the Ming Dynasty. According to Gu Jingzhou's research, this type of Gongchun style was actually conceived and collaboratively created by Huang Yuji and Wu Dacheng during the Daoguang period of the Qing Dynasty, based on the "Gongchun tree stump style" described in historical records. They adopted the name "Gongchun," which also carries the meaning of spring's revival of all things, serving as a commemoration.
Gu's "Gongchun" teapot features a relatively thin body with meticulous craftsmanship and a yellow-brown clay color. The surface of the vessel displays textured patterns with flowing lines, resembling the bark of an aged, gnarled tree. It is topped with a smooth melon-stem-shaped lid, and the dramatically curved handle possesses great tension. The overall form of the teapot is simple and pure. The body is light, and it feels comfortable to hold and pour.
In 1983, Gu Jingzhou traveled to Shanghai with his wife to seek treatment for dysentery and temporarily resided at Shanghai Huaihai Middle School. During his spare time amid the busy schedule, he created three "Pomegranate Lifting-Handle teapots" and three "Gongchun teapots." Aside from one "Gongchun teapot" and one "Pomegranate Lifting-Handle teapot" that he submitted to the factory as production assignments, he generously gifted the rest to friends who had helped him. Gu Jingzhou's character and artistic integrity are evident from this gesture.
Chapter 5
独妙
Unique Excellence
Pages 142-405
View Chapter →
English Translation
Legend has it that the "Gongchun teapot" was created by Gongchun during the Zhengde period of the Ming Dynasty. According to Gu Jingzhou's research, this type of Gongchun style was actually conceived and collaboratively created by Huang Yuji and Wu Dacheng during the Daoguang period of the Qing Dynasty, based on the "Gongchun tree stump style" described in historical records. They adopted the name "Gongchun," which also carries the meaning of spring's revival of all things, serving as a commemoration.
Gu's "Gongchun" teapot features a relatively thin body with meticulous craftsmanship and a yellow-brown clay color. The surface of the vessel displays textured patterns with flowing lines, resembling the bark of an aged, gnarled tree. It is topped with a smooth melon-stem-shaped lid, and the dramatically curved handle possesses great tension. The overall form of the teapot is simple and pure. The body is light, and it feels comfortable to hold and pour.
In 1983, Gu Jingzhou traveled to Shanghai with his wife to seek treatment for dysentery and temporarily resided at Shanghai Huaihai Middle School. During his spare time amid the busy schedule, he created three "Pomegranate Lifting-Handle teapots" and three "Gongchun teapots." Aside from one "Gongchun teapot" and one "Pomegranate Lifting-Handle teapot" that he submitted to the factory as production assignments, he generously gifted the rest to friends who had helped him. Gu Jingzhou's character and artistic integrity are evident from this gesture.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659