Chapter 5
独妙
Unique Excellence
324
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English Translation
A column base, also known as a plinth stone, is a stone block placed on the foundation to support columns. In traditional Chinese brick-and-wood architecture, it serves to bear loads and prevent moisture, playing an irreplaceable role in preventing building collapse. The third volume of Li Jie's *Yingzao Fashi* (Treatise on Architectural Methods) from the Song Dynasty records: "Column bases have six names: first called chu, second called shuo, third called tu, fourth called kua, fifth called jian, sixth called bian; today they are called stone drums." Column bases come in many styles including drum-shaped, melon-shaped, vase-shaped, palace lantern-shaped, hexagonal, and sumeru pedestal types.
The "Drum-Shaped Teapot" is a late-period work by Gu Jingzhou. The body imitates the form of a drum-shaped column base, with the shoulder circumference slightly wider than the base. The body tapers slightly and straightens as it converges toward the bottom, thus visually emphasizing the tension of the pot's shoulder. Both the neck and spout are straight in style, full of strength. The lid design is distinctive—based on a flat lid but slightly raised upward, causing the entire pot's center of gravity to shift slightly upward, increasing the sense of balance in the form. At the same time, the slightly raised lid gives the entire pot a sense of being inflated, full and dignified.
The "Hard Flat Teapot" presents an overall characteristic of hardness and simplicity. Only one piece was made, demonstrating that this is a masterwork meticulously crafted by Gu Jingzhou.
Chapter 5
独妙
Unique Excellence
Pages 142-405
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English Translation
A column base, also known as a plinth stone, is a stone block placed on the foundation to support columns. In traditional Chinese brick-and-wood architecture, it serves to bear loads and prevent moisture, playing an irreplaceable role in preventing building collapse. The third volume of Li Jie's *Yingzao Fashi* (Treatise on Architectural Methods) from the Song Dynasty records: "Column bases have six names: first called chu, second called shuo, third called tu, fourth called kua, fifth called jian, sixth called bian; today they are called stone drums." Column bases come in many styles including drum-shaped, melon-shaped, vase-shaped, palace lantern-shaped, hexagonal, and sumeru pedestal types.
The "Drum-Shaped Teapot" is a late-period work by Gu Jingzhou. The body imitates the form of a drum-shaped column base, with the shoulder circumference slightly wider than the base. The body tapers slightly and straightens as it converges toward the bottom, thus visually emphasizing the tension of the pot's shoulder. Both the neck and spout are straight in style, full of strength. The lid design is distinctive—based on a flat lid but slightly raised upward, causing the entire pot's center of gravity to shift slightly upward, increasing the sense of balance in the form. At the same time, the slightly raised lid gives the entire pot a sense of being inflated, full and dignified.
The "Hard Flat Teapot" presents an overall characteristic of hardness and simplicity. Only one piece was made, demonstrating that this is a masterwork meticulously crafted by Gu Jingzhou.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659