Chapter 5
独妙
Unique Excellence
368
of 659

English Translation
## 3. Improvements to Dragon Kilns and Changes in Firing Temperature
Traditionally, Yixing pottery was fired using dragon kilns. Dragon kilns are elongated kiln structures built along hillsides or slopes in the Jiangnan region, fueled by plant materials such as miscellaneous firewood, thatch, and wheat straw. The sloped kiln body design creates strong draft within the kiln, enabling rapid temperature increase, making it the primary kiln type for ceramic firing in southern China. During the Ming dynasty, Yixing production was relatively low, with pieces fired together alongside other pottery products. As Yixing craftsmanship matured and improved, production increased, leading to the emergence of dragon kilns dedicated exclusively to firing Yixing ware, which played a significant role in Yixing history. In modern times, with the development of fuel technology and the promotion of clean energy, Yixing firing techniques have continuously improved, successively introducing modernized firing processes including tunnel kilns, downdraft kilns, shuttle kilns, liquefied gas kilns, and electric kilns.
Compared to other ceramic art forms, the textural characteristics of Yixing clay manifest particularly directly and thoroughly in both the crafting process and the final formed effect. Gu Jingzhou, from his early apprenticeship, was deeply influenced by his grandmother and predecessors, placing great emphasis on clay selection, which laid an excellent foundation for his Yixing artistic career. Subsequently, Gu Jingzhou encountered numerous famous Ming and Qing dynasty Yixing works in Shanghai, carefully studying the body color characteristics and stylistic features of Yixing vessels, gradually forming his theories on Yixing appreciation and production. After Liberation, Gu Jingzhou actively responded to the nation's call, serving as technical instructor at the Shushan Yixing Workshop, teaching and mentoring while innovating and exploring. Through his practical work and teaching, Gu Jingzhou continuously refined and elevated the intuitive understanding formed through his application of clay materials in craft production. In his leisure time, he read and studied relevant books, transcribed historical Yixing treatises, and gradually developed his own distinctive theories on Yixing raw materials.
Chapter 5
独妙
Unique Excellence
Pages 142-405
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English Translation
## 3. Improvements to Dragon Kilns and Changes in Firing Temperature
Traditionally, Yixing pottery was fired using dragon kilns. Dragon kilns are elongated kiln structures built along hillsides or slopes in the Jiangnan region, fueled by plant materials such as miscellaneous firewood, thatch, and wheat straw. The sloped kiln body design creates strong draft within the kiln, enabling rapid temperature increase, making it the primary kiln type for ceramic firing in southern China. During the Ming dynasty, Yixing production was relatively low, with pieces fired together alongside other pottery products. As Yixing craftsmanship matured and improved, production increased, leading to the emergence of dragon kilns dedicated exclusively to firing Yixing ware, which played a significant role in Yixing history. In modern times, with the development of fuel technology and the promotion of clean energy, Yixing firing techniques have continuously improved, successively introducing modernized firing processes including tunnel kilns, downdraft kilns, shuttle kilns, liquefied gas kilns, and electric kilns.
Compared to other ceramic art forms, the textural characteristics of Yixing clay manifest particularly directly and thoroughly in both the crafting process and the final formed effect. Gu Jingzhou, from his early apprenticeship, was deeply influenced by his grandmother and predecessors, placing great emphasis on clay selection, which laid an excellent foundation for his Yixing artistic career. Subsequently, Gu Jingzhou encountered numerous famous Ming and Qing dynasty Yixing works in Shanghai, carefully studying the body color characteristics and stylistic features of Yixing vessels, gradually forming his theories on Yixing appreciation and production. After Liberation, Gu Jingzhou actively responded to the nation's call, serving as technical instructor at the Shushan Yixing Workshop, teaching and mentoring while innovating and exploring. Through his practical work and teaching, Gu Jingzhou continuously refined and elevated the intuitive understanding formed through his application of clay materials in craft production. In his leisure time, he read and studied relevant books, transcribed historical Yixing treatises, and gradually developed his own distinctive theories on Yixing raw materials.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659