Chapter 6
驾简
Mastering Simplicity
422
of 659

English Translation
The reason why Yixing pottery carving is beloved by literati lies primarily in the fact that, through the refinement of the carving knife, Yixing clay can embody the brushwork and ink charm of calligraphy and painting, or the rugged and mottled "bronze and stone flavor." Therefore, Yixing pottery carving has gradually been perfected and matured through the continuous participation and promotion of successive generations of literati. When studying the decorative arts of Yixing ware, Gu Jingzhou fully affirmed the participation of literati in Yixing creation:
> During the Qianlong and Jiaqing periods, literati and scholars such as Zheng Banqiao and Chen Mansheng combined their efforts with pottery artisans, integrating literati calligraphy and painting through carving methods with exquisite pottery craftsmanship. This elevated the art to an elegant artistic style, breaking free from the vulgar habits of artisan-style decoration. It emphasized artistic cultivation in calligraphy, painting, and carving. Hence the saying: "A fine teapot increases in value with inscribed characters, and the characters are transmitted through the teapot."
"Jade Dew" Poetry Suite (detail) | Duan Clay Fairness Cup (detail)
At the same time, he also provided clear opinions on the content and techniques of pottery carving decoration:
> The traditional decoration of pottery art, "pottery carving," must first consider the content reflected in the inscriptions and themes. It must embody reasonable and appropriate literary vocabulary, the beauty of calligraphy and painting, and elegant style. The precision of the carving knife technique and the charm of bronze and stone flavor can enable people to appreciate and savor the vessel endlessly.[1]
The pottery carving decoration on Gu Jingzhou's Yixing works vividly demonstrates his pursuit of pottery carving decoration and his profound skill. The pottery carving decoration on Gu Jingzhou's works mainly includes the following types:
---
[1] Gu Jingzhou, *The Art of Teapots*, in *Collection of Clay Teapots*, edited by Haiyang Yixing Pottery Art Company (Hong Kong: Far East Publishing House), p. 7.
[2] Gu Jingzhou, "A Brief Discussion on the Appreciation of Yixing Pottery Art," in *Annals of Yixing*, edited by Shi Jundang and Sheng Pansong (Shanghai: Wenhui Publishing House, October 1991), p. 180.
Chapter 6
驾简
Mastering Simplicity
Pages 406-427
View Chapter →
English Translation
The reason why Yixing pottery carving is beloved by literati lies primarily in the fact that, through the refinement of the carving knife, Yixing clay can embody the brushwork and ink charm of calligraphy and painting, or the rugged and mottled "bronze and stone flavor." Therefore, Yixing pottery carving has gradually been perfected and matured through the continuous participation and promotion of successive generations of literati. When studying the decorative arts of Yixing ware, Gu Jingzhou fully affirmed the participation of literati in Yixing creation:
> During the Qianlong and Jiaqing periods, literati and scholars such as Zheng Banqiao and Chen Mansheng combined their efforts with pottery artisans, integrating literati calligraphy and painting through carving methods with exquisite pottery craftsmanship. This elevated the art to an elegant artistic style, breaking free from the vulgar habits of artisan-style decoration. It emphasized artistic cultivation in calligraphy, painting, and carving. Hence the saying: "A fine teapot increases in value with inscribed characters, and the characters are transmitted through the teapot."
"Jade Dew" Poetry Suite (detail) | Duan Clay Fairness Cup (detail)
At the same time, he also provided clear opinions on the content and techniques of pottery carving decoration:
> The traditional decoration of pottery art, "pottery carving," must first consider the content reflected in the inscriptions and themes. It must embody reasonable and appropriate literary vocabulary, the beauty of calligraphy and painting, and elegant style. The precision of the carving knife technique and the charm of bronze and stone flavor can enable people to appreciate and savor the vessel endlessly.[1]
The pottery carving decoration on Gu Jingzhou's Yixing works vividly demonstrates his pursuit of pottery carving decoration and his profound skill. The pottery carving decoration on Gu Jingzhou's works mainly includes the following types:
---
[1] Gu Jingzhou, *The Art of Teapots*, in *Collection of Clay Teapots*, edited by Haiyang Yixing Pottery Art Company (Hong Kong: Far East Publishing House), p. 7.
[2] Gu Jingzhou, "A Brief Discussion on the Appreciation of Yixing Pottery Art," in *Annals of Yixing*, edited by Shi Jundang and Sheng Pansong (Shanghai: Wenhui Publishing House, October 1991), p. 180.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659