Chapter 5
独妙
Unique Excellence
378
of 659

English Translation
During the embryonic period of purple clay pottery production, craftsmen borrowed techniques from general pottery making, using hand-molding methods to shape the exterior form of vessels. By the time of Gong Chun, the production techniques of purple clay pottery advanced with "carving wood as molds," and "hollowing out the center, smoothing inside and outside with fingers, with spiral patterns subtly rising and pressable."[1] During the era of Shi Dabin, the production methods of purple clay pottery reached maturity. "When he comprehended the method, he abandoned the molds, and what is called blade-like craftsmanship resulted in vessel types that have increased to the present day, numbering no less than several dozen."[2] From this point forward, a unique system of handcrafting techniques was formed, and a complete system of tools was developed.
The tools used in Yixing purple clay pottery production are made from metal, wood, and bamboo as raw materials, with bamboo being a distinctive feature of purple clay tools, accounting for an extremely high proportion. Yixing produces abundant bamboo and is Jiangsu Province's largest bamboo product base, having been praised since ancient times as "an ocean of bamboo." Connecting the bamboo seas spanning hundreds of thousands of acres across Jiangsu, Zhejiang, and Anhui provinces, stretching across eight hundred li, a vast emerald ocean of bamboo has formed. Bamboo has a hard texture, with extremely strong bending strength, tensile strength, and load-bearing capacity. At the same time, it has high density, minimal expansion and contraction, relatively stable structure, and is not easily deformed, making it an ideal raw material for purple clay tools sourced locally. Purple clay tools can generally be divided into several categories: basic tools, forming tools, shaping tools, carving tools, polishing tools, and seal-stamping tools.
---
[1] Zhou Gaoqi (Ming Dynasty), *Yangxian Ming Hu Xi*, in Han Qilou (ed.), *Modern Translation of Ancient Purple Clay Texts* (Beijing: Beijing Publishing House, January 2011), p. 4.
[2] Zhou Rong (Ming Dynasty), *Yixing Pottery Records*, in Han Qilou (ed.), *Modern Translation of Ancient Purple Clay Texts* (Beijing: Beijing Publishing House, January 2011), p. 31.
Chapter 5
独妙
Unique Excellence
Pages 142-405
View Chapter →
English Translation
During the embryonic period of purple clay pottery production, craftsmen borrowed techniques from general pottery making, using hand-molding methods to shape the exterior form of vessels. By the time of Gong Chun, the production techniques of purple clay pottery advanced with "carving wood as molds," and "hollowing out the center, smoothing inside and outside with fingers, with spiral patterns subtly rising and pressable."[1] During the era of Shi Dabin, the production methods of purple clay pottery reached maturity. "When he comprehended the method, he abandoned the molds, and what is called blade-like craftsmanship resulted in vessel types that have increased to the present day, numbering no less than several dozen."[2] From this point forward, a unique system of handcrafting techniques was formed, and a complete system of tools was developed.
The tools used in Yixing purple clay pottery production are made from metal, wood, and bamboo as raw materials, with bamboo being a distinctive feature of purple clay tools, accounting for an extremely high proportion. Yixing produces abundant bamboo and is Jiangsu Province's largest bamboo product base, having been praised since ancient times as "an ocean of bamboo." Connecting the bamboo seas spanning hundreds of thousands of acres across Jiangsu, Zhejiang, and Anhui provinces, stretching across eight hundred li, a vast emerald ocean of bamboo has formed. Bamboo has a hard texture, with extremely strong bending strength, tensile strength, and load-bearing capacity. At the same time, it has high density, minimal expansion and contraction, relatively stable structure, and is not easily deformed, making it an ideal raw material for purple clay tools sourced locally. Purple clay tools can generally be divided into several categories: basic tools, forming tools, shaping tools, carving tools, polishing tools, and seal-stamping tools.
---
[1] Zhou Gaoqi (Ming Dynasty), *Yangxian Ming Hu Xi*, in Han Qilou (ed.), *Modern Translation of Ancient Purple Clay Texts* (Beijing: Beijing Publishing House, January 2011), p. 4.
[2] Zhou Rong (Ming Dynasty), *Yixing Pottery Records*, in Han Qilou (ed.), *Modern Translation of Ancient Purple Clay Texts* (Beijing: Beijing Publishing House, January 2011), p. 31.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659