Chapter 5
独妙
Unique Excellence
388
of 659

English Translation
**Wai Shi** (Corner Stone): A small square piece with slightly curved corners. Generally "using stone like a pebble, shaped like a lychee pit,"[1] it is typically used to process the dead corners after filling the clay in the interior of the base and lid, making the inner walls smooth and rounded. Made from materials such as bamboo, zisha clay, or plastic, it comes in two types: lid corner stone and base corner stone.
**Carving Knife**: A decorative tool for the surface of zisha clay bodies, composed of two parts: the blade and the handle. It is typically used to carve signatures, calligraphy, and paintings, enhancing the cultural attributes of zisha ware.
**Ming Zhen** (Polishing Rib): Anciently called "jiao" (horn), it is a thin piece made from ox horn. Its shape is "one cun wide, five times as long, either wedge-shaped or spindle-shaped, with a thin front and sturdy back, capable of bending and extending flexibly, suitable for varying degrees of pressure."[2] It is used for fine finishing of zisha surfaces—coarse at the front, fine at the back—by scraping and pressing the surface of the formed greenware body to make the vessel surface smooth and regular. According to different uses, it is divided into body ming zhen, spout ming zhen, lid ming zhen, and others.
**Pi Mao Bu** (Leather Cloth): A polishing tool for the surface of zisha ware, usually made from fine, soft, and smooth pig leather. It is mainly used to process the turning points of the clay body and places that the ming zhen cannot reach.
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[1] Zhou Rong (Ming Dynasty), *Record of Yixing Ceramic Teapots*, in Han Qilou (ed.), *Ancient Texts on Zisha with Modern Translation*, Beijing Publishing House, January 2011, p. 31.
[2] Ibid.
Chapter 5
独妙
Unique Excellence
Pages 142-405
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English Translation
**Wai Shi** (Corner Stone): A small square piece with slightly curved corners. Generally "using stone like a pebble, shaped like a lychee pit,"[1] it is typically used to process the dead corners after filling the clay in the interior of the base and lid, making the inner walls smooth and rounded. Made from materials such as bamboo, zisha clay, or plastic, it comes in two types: lid corner stone and base corner stone.
**Carving Knife**: A decorative tool for the surface of zisha clay bodies, composed of two parts: the blade and the handle. It is typically used to carve signatures, calligraphy, and paintings, enhancing the cultural attributes of zisha ware.
**Ming Zhen** (Polishing Rib): Anciently called "jiao" (horn), it is a thin piece made from ox horn. Its shape is "one cun wide, five times as long, either wedge-shaped or spindle-shaped, with a thin front and sturdy back, capable of bending and extending flexibly, suitable for varying degrees of pressure."[2] It is used for fine finishing of zisha surfaces—coarse at the front, fine at the back—by scraping and pressing the surface of the formed greenware body to make the vessel surface smooth and regular. According to different uses, it is divided into body ming zhen, spout ming zhen, lid ming zhen, and others.
**Pi Mao Bu** (Leather Cloth): A polishing tool for the surface of zisha ware, usually made from fine, soft, and smooth pig leather. It is mainly used to process the turning points of the clay body and places that the ming zhen cannot reach.
---
[1] Zhou Rong (Ming Dynasty), *Record of Yixing Ceramic Teapots*, in Han Qilou (ed.), *Ancient Texts on Zisha with Modern Translation*, Beijing Publishing House, January 2011, p. 31.
[2] Ibid.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659