Chapter 10
附录
Appendix
599
of 659

English Translation
Yixing teapots, relying on the superior properties of their clay material, possess distinctive forming techniques that set them apart within the entire ceramic industry's molding methods. The ancients said: "Without compass and square, one cannot make circles and squares." This saying is a profound truth, and it holds equally true in the history of Yixing pottery craft. Through hundreds of years of technical practice and refinement by generations of artisans, a series of unique and rational production techniques has been developed. Those learning the craft must undergo rigorous basic technical training—there are no shortcuts to becoming a master. The Yixing craft both preserves excellent technical traditions and gradually evolves through refinement, giving rise to various stylistic schools and techniques from different periods. Overall, these can be categorized into three major types: geometric forms, decorative pattern forms, and realistic sculptural modeling. No two squares are alike, no two rounds are the same; tall or short, flat or straight—each employs different production methods ranging from simple to elaborate, each excelling in its own way. These works concretely emanate the artistic appeal of life's atmosphere and the spirit of their times, continuously producing numerous highly skilled modern teapot masters, enabling the Yixing pottery craft to stand tall in the forest of ceramic arts, dazzling and brilliant, its fragrance enduring through the ages.
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*(Published in* Yijin*, 1985)*
Chapter 10
附录
Appendix
Pages 526-651
View Chapter →
English Translation
Yixing teapots, relying on the superior properties of their clay material, possess distinctive forming techniques that set them apart within the entire ceramic industry's molding methods. The ancients said: "Without compass and square, one cannot make circles and squares." This saying is a profound truth, and it holds equally true in the history of Yixing pottery craft. Through hundreds of years of technical practice and refinement by generations of artisans, a series of unique and rational production techniques has been developed. Those learning the craft must undergo rigorous basic technical training—there are no shortcuts to becoming a master. The Yixing craft both preserves excellent technical traditions and gradually evolves through refinement, giving rise to various stylistic schools and techniques from different periods. Overall, these can be categorized into three major types: geometric forms, decorative pattern forms, and realistic sculptural modeling. No two squares are alike, no two rounds are the same; tall or short, flat or straight—each employs different production methods ranging from simple to elaborate, each excelling in its own way. These works concretely emanate the artistic appeal of life's atmosphere and the spirit of their times, continuously producing numerous highly skilled modern teapot masters, enabling the Yixing pottery craft to stand tall in the forest of ceramic arts, dazzling and brilliant, its fragrance enduring through the ages.
---
*(Published in* Yijin*, 1985)*
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659