Chapter 3
达变
Adaptation
70
of 659

English Translation
*Photo from 1953: Gu Jingzhou (left) with Dai Xiangming (center) and Lu Guangyi (right) at Rengong Diaotai in Yixing*
From late 1955 to early 1956, Yixing's ceramics industry achieved public-private joint management, "merging and reorganizing the workshops and enterprises of 175 capitalists into eight public-private joint factories."[1] With this, the "socialist transformation" of Yixing's pottery industry was essentially complete, and the means of production underwent a transition to public ownership. Simultaneously, the production methods for Zisha pottery gradually shifted from the previous scattered individual operations toward collectivization and large-scale production. The factory-based production model under the collective system brought corresponding changes to personnel recruitment and training methods, eliminating the traditional conservative mentality of "greeting fellow craftsmen at the door while hiding clay blanks and chatting idly," thereby preparing a relatively solid workforce for the great development and prosperity of Zisha pottery. In 1955, Gu Jingzhou was appointed as a technical instructor. In October, the Zisha Craft Cooperative recruited its first batch of twenty-six students for the craft training class. Among them, "Li Changhong, Shen Zhonghua, Gao Yongjin, Bao Xiuyun, and Xu Xuan (who left the cooperative in 1956 to apply for school)"[2]—these five individuals became disciples of Gu Jingzhou, following Xu Handang. In 1956...
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[1] Xu Xiudang and Shan Gu, *Master of Zisha: Gu Jingzhou* (Shanghai: Shanghai Ancient Books Publishing House, April 2013 edition), p. 77.
[2] Chen Jianming, ed., *Dingshu Town Gazetteer* (Beijing: China Books Publishing House, September 1992 edition), p. 199.
[3] Xu Xiudang and Shan Gu, *Master of Zisha: Gu Jingzhou* (Shanghai: Shanghai Ancient Books Publishing House, April 2013 edition), p. 188.
Chapter 3
达变
Adaptation
Pages 32-133
View Chapter →
English Translation
*Photo from 1953: Gu Jingzhou (left) with Dai Xiangming (center) and Lu Guangyi (right) at Rengong Diaotai in Yixing*
From late 1955 to early 1956, Yixing's ceramics industry achieved public-private joint management, "merging and reorganizing the workshops and enterprises of 175 capitalists into eight public-private joint factories."[1] With this, the "socialist transformation" of Yixing's pottery industry was essentially complete, and the means of production underwent a transition to public ownership. Simultaneously, the production methods for Zisha pottery gradually shifted from the previous scattered individual operations toward collectivization and large-scale production. The factory-based production model under the collective system brought corresponding changes to personnel recruitment and training methods, eliminating the traditional conservative mentality of "greeting fellow craftsmen at the door while hiding clay blanks and chatting idly," thereby preparing a relatively solid workforce for the great development and prosperity of Zisha pottery. In 1955, Gu Jingzhou was appointed as a technical instructor. In October, the Zisha Craft Cooperative recruited its first batch of twenty-six students for the craft training class. Among them, "Li Changhong, Shen Zhonghua, Gao Yongjin, Bao Xiuyun, and Xu Xuan (who left the cooperative in 1956 to apply for school)"[2]—these five individuals became disciples of Gu Jingzhou, following Xu Handang. In 1956...
---
[1] Xu Xiudang and Shan Gu, *Master of Zisha: Gu Jingzhou* (Shanghai: Shanghai Ancient Books Publishing House, April 2013 edition), p. 77.
[2] Chen Jianming, ed., *Dingshu Town Gazetteer* (Beijing: China Books Publishing House, September 1992 edition), p. 199.
[3] Xu Xiudang and Shan Gu, *Master of Zisha: Gu Jingzhou* (Shanghai: Shanghai Ancient Books Publishing House, April 2013 edition), p. 188.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659