Chapter 10
附录
Appendix
580
of 659

English Translation
This is because the mold has an outer ring, and pressure can be applied inside, which helps avoid defects such as cracked rims, uneven bottoms, and split bodies. The opening of the mold must be reasonable and suited to normal production methods, facilitating each step of the manufacturing process. Otherwise, it will be counterproductive. For example, the current "coffee pot" body is molded together with the spout in one piece, which is not conducive to production and affects quality. The disadvantages are as follows: First, the rim is not firm; second, beating the body cylinder is quite time-consuming—the opening must be made small, then expanded during molding, and slip must be added inside. (If this effort were used to beat and attach a separate spout piece, it would be both cleaner and more effective.)
Third, after such a body cylinder is formed, it is very difficult to apply the rib evenly and roundly, and with only one clay coil as a reinforcing ring, after firing, due to the inconsistent hardness and uneven thickness of the slip and clay coils, defects easily occur and deformation results.
Creative work must consider materials and production. Our design is not design for design's sake. When a new product is developed, we hope it can survive and go into production, and that production will be convenient. If the mold design does not consider how the mold opens—in short, if economic efficiency is not considered—and if the creative result is detrimental to production, then it is not successful creative work.
Chapter 10
附录
Appendix
Pages 526-651
View Chapter →
English Translation
This is because the mold has an outer ring, and pressure can be applied inside, which helps avoid defects such as cracked rims, uneven bottoms, and split bodies. The opening of the mold must be reasonable and suited to normal production methods, facilitating each step of the manufacturing process. Otherwise, it will be counterproductive. For example, the current "coffee pot" body is molded together with the spout in one piece, which is not conducive to production and affects quality. The disadvantages are as follows: First, the rim is not firm; second, beating the body cylinder is quite time-consuming—the opening must be made small, then expanded during molding, and slip must be added inside. (If this effort were used to beat and attach a separate spout piece, it would be both cleaner and more effective.)
Third, after such a body cylinder is formed, it is very difficult to apply the rib evenly and roundly, and with only one clay coil as a reinforcing ring, after firing, due to the inconsistent hardness and uneven thickness of the slip and clay coils, defects easily occur and deformation results.
Creative work must consider materials and production. Our design is not design for design's sake. When a new product is developed, we hope it can survive and go into production, and that production will be convenient. If the mold design does not consider how the mold opens—in short, if economic efficiency is not considered—and if the creative result is detrimental to production, then it is not successful creative work.
章节导航 Chapter Navigation
Chapter 1
序文
Pages 6-6
Chapter 2
引言
Pages 28-31
Chapter 3
达变
Pages 32-133
Chapter 3
开宗立派
Pages 46-66
Chapter 3
传道授业
Pages 67-98
Chapter 3
大师淳友
Pages 99-120
Chapter 3
学艺谋生
Pages 121-133
Chapter 4
化神
Pages 134-141
Chapter 5
独妙
Pages 142-405
Chapter 5
匠心独运 不苟丝毫
Pages 142-179
Chapter 5
器利善事 物尽其用
Pages 180-199
Chapter 5
紫泥春华 研精究微
Pages 200-405
Chapter 6
驾简
Pages 406-427
Chapter 6
精雕细刻 文质合一
Pages 406-410
Chapter 6
师法自然 妙趣横生
Pages 411-415
Chapter 6
丝来线去 曲尽其妙
Pages 416-427
Chapter 7
明志
Pages 463-485
Chapter 7
高山仰止 淡泊明志
Pages 463-472
Chapter 7
啜墨看茶 气定神闲
Pages 473-478
Chapter 7
齿少心锐 怡志抒情
Pages 479-485
Chapter 8
存真
Pages 428-462
Chapter 8
规圆矩方 弃伪存真
Pages 428-436
Chapter 8
有物有则 钻尖仰高
Pages 437-462
Chapter 9
心营
Pages 506-525
Chapter 9
坚守传统 艺立潮头
Pages 506-513
Chapter 9
新型师承 桃李满园
Pages 514-525
Chapter 10
附录
Pages 526-651
Chapter 10
顾景舟紫艺论文
Pages 526-535
Chapter 10
技术课备课笔记
Pages 536-543
Chapter 10
顾景舟艺术年表
Pages 544-651
Chapter 11
参考文献
Pages 652-657
Chapter 12
鸣谢
Pages 658-659